Archive for the 'work' Category

07
Mar
12

First world problems

I would like to have a good whinge about my terrible first world problems. But why bother? Let’s face it, things will never be as good as they are at the moment: I have a job, a boyfriend, health and (come pay day) wealth. I’m not in a hurry to move out of my student housing complex, although I’m on notice – I have till the end of August to find a new place to live.

Everything I’m battling on right now is so minor it almost makes me laugh. I mean, just look how I was a year or two ago. This week just hasn’t been my week. With one thing and another I’m just too tired and moody to be able to be completely zen about things.

But I will say this: what I really hate is the feeling that I have to apologise for what I am.

23
Feb
12

Gloating

Someone might have noticed the lack of actual written content on Oddlogy. If you didn’t, I hope you at least enjoyed the pic dump. Anyway. The last time I wrote I promised photos of silly cooking adventures. Sorry, but no. Can’t do it. The reason for my blatant refusal to post them at this time is that I am at work.

Did you notice how subtly I twined in that I have, since last written confessional, gotten a job? A real job. A job which pays my bills, and more! It’s pretty amazing. I started a few weeks ago and, let me tell you, it’s fucking awesome. Sure, mornings are pretty much bollocks. But the amount of lack of suck in getting a salary more than makes up for the unnatural sleep cycles. It also helps to have very relaxed sliding hours, as long as I try to be present between 10 AM and 3 PM…ish. Yeah. No doubt I will eventually get sick of being in the rat race but, for now, I’m enjoying the hell out of it.

Shall I tell you about my job? I’m a game artist at RAY, which is an acronym for something which translates to Slot Machine Association. Slot machines are slowly becoming a thing of the past, although we still design for the mechanical machines, too – the really interesting part is getting to make new games for the touch-screen machines. So far, the collection is pretty much around the traditional multiliners and card games and such, but I have great hopes for getting to work on something new at some point. The job itself is lovely – I pretty much get to draw and (3D-)model all day. Lately, I’ve been sketching ideas on a couple of different themes for a mechanical game, while finishing up a transition of an existing poker-game from one screen to a double screen version.

I’m working among a complete assortment of nerds, which means I’m feeling kind of at home. It means most people are shy, socially awkward and smell funny; people tend to congregate around video games in the afternoons, and pretty much speak the same lingo (mumble). Happily, I have some ex-classmates among my colleagues, and there are two of us mythical girl-creatures here. The atmosphere is very relaxed. I like it!

Lots of other things have been happening as well, but I might need topics for later. Meanwhile, if you happen to be in Finland, and if you have a chance to go to Lappeenranta, there’s a tiny exhibition by someone you might know:

It looks like I’m getting extended display time, so even if you can’t make it before March 3rd, it might be worth it to check in anyway.

In any other case, here’s an Oddunout pin-up:

20
Oct
11

Just the Way It Is.

When I was a child, I wanted to be an artist when I grew up, or a doctor. The doctor fell off my list when I stopped going to hospital on a regular basis*. But I had the same career certainty all through my adolescence: and as I grew more aware of the realities of life, and it seemed like the only viable option, I wanted to work in advertising. (For a brief idealistic period I also wanted to become a Journalist.) So instead of lukio (the Finnish high school / higher secondary education) I applied and was accepted to a vocational art and craft institution. The diploma course started as ”Drawing” but by the time I graduated, it had been updated to ”Media”. I never once questioned the direction of my studies (except for the part that I also wanted to be a writer), and after graduation, I worked in advertising for two years. Lots of things happened in between, but in 2005 I returned to school (university of applied sciences, or polytechnic, depending on who you’re talking with) to study animation. On the side, I’ve sneakily come to transgress in the field of fine art…

It all seems very straightforward. A couple of posts ago, I wrote about the desperation and stress related to creativity and creative professions, so I won’t dwell on that too much. Without meaning to brag, I’ve pretty much excelled in anything I’ve been interested in**. Things I’ve not been so very interested in I’ve performed on an average level.

I’ve been a ferocious reader all my life. I didn’t use to vary much outside the fields of art, culture and history. When I got seriously ill with depression, I started reading about psychology, philosophy. History and culture opened the door toward religions, languages, science and from there on, my hunger for knowledge and my areas of interest have known no limits. And it’s not enough – I have to be able to use what I know.

Some time ago I googled ”interested in everything” and the top result was a post by blogger Jarkko Laine: ”Seven Signs That You Might Be Insanely Interested In Everything”.

”What if I told you that I want to be a scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician, poet and a writer? If that scares you, you belong to the vast majority of people who believe the modern day mantra of specialization and say that a Jack of all trades is master of none. But if it gets you excited, then you are like me.”

His post opened a lot of gates for me in that I realised how far my obsession with ”everything” goes and that there are others who are unable to focus on just one thing. The above list of professions is that of Leonardo daVinci. The word for this, I learned, is a polymath; the ideal renaissance man. Why is education and civilisation no longer an ideal? Why is it no longer an ideal for smart, creative people to come together to talk about the problems of the world (and other things) and, upon coming up with a possible solution, an ideal for them to then try to apply the solution to the real world?

Why, (I suppose) realistically, is everything always about money? It’s just not fair! [much stomping of foot here] Why is idealism discouraged as nothing but naivety? Granted that these days being a nerd is kind of fashionable (thanks to people like Bill Gates) – as long as you make money while doing your nerdy thing.

Recently, I read a book about feminine talent (Naislahjakkuus by Kari Uusikylä, 2008). I was mentally checking boxes as I was reading. Some things were already familiar to me from my other reading, and I found some pleasant surprises, too. Pirre Raijas, a ”Postdoc researcher, Doctor of Music, Master of Social Sciences, Cellist” (according to her website) wrote – and even if I don’t agree with her on some points, this alone makes me love her: ”Perfectionism is definitely not agonising. On the contrary, it’s a forward-driving force. It’s a source of energy.”

I was in tears reading the story of a writer/scholar/illustrator/translator Virpi Hämeen-Anttila for all the similarities she has with my life. And not only that – her story also gave me a glimmer of hope: here’s a woman who has studied everything and anything she is interested in, and created a career out of that. Several careers, in fact.

Hämeen-Anttila wrote that once she got over her debilitating shyness, she was a well-liked person in school. She attributes this to the fact she was able to adabt and to emphatise with everyone, and since she was interested in everything, people would have no problem finding an avid listener in her. Same as me, she was liked, but she was ‘one of the boys’ – no one was interested in her in a romantic sense. Like me, she believed this was due to her looks and did her best to depersonalise and hide her physical self, and entered the game between sexes fairly late in her life. I rarely idolise people, but Hämeen-Anttila is one person whom I would love to meet.

Why?

Because… I guess reading her text gave me some absurd kind of hope of there being a possibility to survive in the world despite being unable to specialise in just one thing and not being an enthusiastic networker and socialiser.

I could do almost anything in academic or artistic fields (see **) and I’ve chosen animation… It seems very selfish. I could re-educate myself for something else, but I’m so tired of being a poor student, and I would not be able to get any student benefits for a second profession. I wish I could do what Hämeen-Anttila did: she was in university before students started getting pushed out of the door as fast as possible. She was able to take courses in things she was interested in, as opposed to having to do mandatory studies according to a ready-made curriculum aimed at creating specialists as fast as possible.

And now, I’ve heard, the university has realised it might actually benefit from people who are able to connect the dots between several areas of studies, to create bridges between fields of study that could benefit from each other. What I wouldn’t give to become something like that. Alas… I’m merely wasting my own time studying things from here and there for nothing but my own education and entertainment, and to be able to bore people with my trivial knowledge. I feel so useless.

If I had given this matter some more thorough thought when I was choosing my educational field, I might have realised*** that I really want a career with a meaning. I wish I could do more than just personal good; if I’m forced to spend so many hours working for someone and something else, I would rather it tried to make the world a little better for everyone. Thinking that working a creative job – whether it’s painting or animation or writing or music – that has a positive impact in the world is being a little too narcissist than (even) I can manage.

I had a test run at a political field, but I think it’s too bureucratical for me. I care too much to be able to live with the fact that most people are really only out for their own benefit and that the ”system” is built on averages rather than ideals, without allowing for anomalies. I was recently satisfied (if you can call it that) to read a former people’s rep reveal in a newspaper article that, when starting up in the congress, he was adviced to be as average as possible: to speak enough to be seen doing his job, but not enough to be considered a windjammer, as someone who, as the Finnish expression goes ”just talks to keep himself warm”.

While I’m creating (painting, drawing, writing, etc.), I feel like I’m doing something important. My heart beats a little faster and I feel feverish; my concentration is impeccable. It’s the same when I’m working on an educated blog post or an essay: even when I’m busy with something else, my brain is processing and my thoughts keep returning to the of art/blog/essay at hand. That’s when I feel efficient and worthwhile – like what I do had meaning. But that wanes as soon as I’ve posted the item in question and got my twenty-or-so hits on it.

The more I read lists like this one; ”The Fifty Things Every Creative Should Know”, the more I feel I’m not the right kind of a person for the field I’m probably otherwise best suited as. It seems the whole list is aimed at making a creative person stand out as little as possible and to conform, and to be as much like a normal person as possible. I think it’s just depressing – since when creativity and ”getting out of the box” was reduced to nothing but the act of selling your idea and getting away with the money?

I often think I live in a different kind of sanity than other people. I think it’s insane to spend your life going to work to earn money to spend on things you don’t need, only to have no time or energy to really enjoy anything, and by the time you retire you’re too broken to do ”all those things you always wanted to do”. Most people just laugh when I say I’m not interested in getting a job and think of me as a slob or a loser or a bum. But it’s not that – I do want to work. And yes, earning money is a kind of an imperative in today’s world.

Although I’m very fond of my dear boyfriend and I would love to be able to rent a place together, and to be able to afford to keep a studio, too… I still think it’s stupid to get a job just to be able to pay for things I want. Someone thought my logic meant that I think some jobs are somehow better than others, and that I somehow looked down on people working in cleaning or as cashiers or in various offices, but that’s not it. At risk of sounding a smug and narcissist little asshole – ”anyone” can do jobs like that. I don’t mean that I’m ‘meant for greater things’ or some such crap; there’s nothing wrong with the aforementioned fields of work and the people who do the jobs are doing an important part of what makes the world run smoothly and pleasantly. But… here’s the really narcissist part … I think since I have the brain and the creative ability to do something more, I should have the moral obligation to do so. But really the world seems to just want me to be a good girl and go do my part to enable more material to be pushed at people, and to pay my taxes and not be too much of a hassle.

I guess I would like to look back on my life, one day, and think I’ve done all right and lived according to my own moral principles, and that I didn’t just go with the flow and do what was easy. Sure, I want to enjoy what I do. But I would like to feel proud of it, too.

*I had a life-threatening kidney defect as a child.

** Except I can’t sing to save my life, others’ lives are in danger when I dance, and I never learned to play any instruments. I don’t have a great head for mathematics, either.

*** Although I may have been too traumatised by the standard 9AM to 9PM office crap, er, job.

22
Sep
11

The Future Is Bleak

There are many things I would like to write about. I have a dozen unfinished posts on my computer but lately its felt too much of a task to sit down and to ‘really’ write. So I’ve been taking a break from writing altogether – not just blogging. Somewhere along the way I’ve started thinking I can’t express an opinion (on the blog, that is) that isn’t thoroughly researched and looked at from all possible angles, well-written and well-edited. Sounds familiar? Welcome to the perfectionist club.

Various people keep telling me I need to focus on just one thing. Focus, specialise, narrow down! In fact, the whole society is telling me to focus, specialise, narrow down and – above all – keep moving forward in a straight line. Produce. Results. Get in the damn box!

Well, I don’t like the box. I believe the world needs mediators; people who can bridge the gaps between boxes. But I should focus: I need to finish my silly thesis and graduate and go to work and earn money… But wait! I don’t want to work for money. I want to work for something bigger: I want to work on something that inspires and motivates and challenges me; something that makes me grow as a person and expands my skills and knowledge and horizons. I want to make a difference, I want to feel what I do is important and believe that someone somewhere is a little better off because of the work I have done.

Why, oh why oh why did I decide I want to work in the “art” field?

I think, among telemarketers and radio personalities, people working in various fields of media will be among the first people to starve to death when the world falls into chaos and civilisation as we know it breaks apart. We’re useless. And worse yet, artists! Painters and sculptors and, gods forbid, CGI artists are a narcissist bunch of selfish people who think they can earn the right to exist by making pretty pictures. Or not so pretty, since ‘art’ is hard to define.

Am I battling an existential crisis? Absolutely. Am I constantly second-guessing myself? Hell yes. Am I painting pictures of anguish and uselessness and future devoid of future? Guilty as charged.

I wish I hadn’t been so certain of what I want to do when I grow up,while I was still growing up instead of spreading out. Why didn’t I decide to study to be a doctor or a scientist or a researcher or even a teacher? As I’m writing this, I’m starting to think that to be an artist – a good artist – one also needs to be self ascertain and more than a little narcissist. Being an artist requires insane amounts of raw belief! Personally, because of the recent exhibition cost money and paid nothing back brought me to a financial dump, which forced me to spend the rest of the month a mum’s so I can eat, the lack of affirmation is instilling serious doubts to my right of claim to the title of an artist. TL;DR: no one wants my art, therefore am broke, ergo my art sucks.

Well, this was depressing. Sorry.

PS: My website is finally reasonably presentable.

30
Sep
10

Suomen Yrittäjät:

Sort your shit out or I will go Erin Brockovich on your ass.

(I really, really wanted to say that.)

Honestly though, I’m naming no names (yet), but on behalf of my friends, I’m now so pissed off that I’m seriously making plans. They might want me to butt the hell out, but there comes a time [insert orchestral music] in a woman’s life where she has to take a long, hard look at her life, and decide where she stands, what she can allow to pass and what cannot be abided. Well, I looked. I looked on. And while I might be a pushover when it comes to my value as a human being, but if you abuse my friends, I’m ready to go up in arms. Figuratively speaking.

Continue reading ‘Suomen Yrittäjät:’

19
Sep
10

A world of your own

Films and books which pull me in, the ones I strongly identify with, have the power to affect my mood rather strongly. Today I watched Bridge to Terabithia (2007) on Voddler, and I cried like a baby. I’m also left with a kind of a nostalgic longing for the world of my own… The film is more appropriate for kids and teens, I think, but since I know how it feels to be an outsider from everything and everyone you know, I sympathised strongly with the main characters. I thought this was a lovely film and well worth watching.

Continue reading ‘A world of your own’

11
Sep
10

My Korea vs. my Japan

The talented mr Sellar wrote about respect in his recent post (“Ya!“), and it plunged me back to thinking…

I had the wonderful opportunity to live in Korea for about 12 months in 2007/2008, and despite (or possibly, because of) the fact that I had previously never even considered going there, I’m ever so much richer for the experience. In Europe, at least, not a lot of people actually know anything about the Koreas, except possibly that there are two of them. For me, the details were pretty hazy too. Thanks to Japan-mania happening all over in the recent years (mostly thanks to manga and anime), a lot of younger people, especially, are learning and getting interested in Korea as well.

Anyway, I learned a lot about Korea and I really learned to love the place while I lived there. I also learned a lot of things about Japan, which I may have had knowledge of before, but none of the emotional base you can wean off the Korean history. So, while I was in Korea, I would take it as a personal affront when people would tell me that I would probably be better off in Japan (as an animator). I’m insecure as it is, and I was never entirely sure of my social status within the art student group — I was, after all, an outsider.

Now that I have, albeit briefly, also experienced Japan, I can iterate of the similarities and the differences between the two countries, as well as concede that I understand why some people would feel Japan was more suitable a habitat for me. Korea and Japan both have a very special place in my heart: in both places, I felt as though I had come home. What I liked in Korea was the level of respect people had for each other. Even if, as Gordon points out, it’s kind of superficial and solely based on age, gender, position, etc (rather than genuine appreciation for politeness, for instance); it was a fresh experience after the sullenness of Finland and the directness of Denmark. I didn’t always agree with it: the little anarchist in me rather felt respect had to be earned. I agree with giving due respect to other people, but forfeiting an argument, being afraid to ask questions or simply taking all kinds of shit just because the other person has a senior position did not come naturally to me.

I liked the communal feeling of Korea; from eating together and sharing the dishes to the closely knit ties to your classroom (army unit, kindergarten, office, etc.) struck some kind of a nerve for someone who truly never felt a part of anything. The closeness and familiarity felt … awful nice, in lack of a better word.

I did not like certain things in Korea: the utter conservatism and their obsession with conformity, and, perhaps strangely, the large Christian influence on the nation. Therein lies the superiority of Japan. While the Japanese still retain the basic politeness and respect (although, based by the surprised feedback from when I gave my seat to the elderly, it’s not very common at rush hour), and the said rush hour is full of salarymen in blacks, blues and whites, in Japan (or in Tokyo, at least) you can enjoy a wonderful variety of styles and sizes of people. Yes, sizes. One of the things that got to me in Seoul was the lack of overweight people… which in itself is positive, of course, but it made me feel even more of a rhino than I normally would. Tokyo is like Seoul, 20 years from now. What it would be like to live in Japan, I don’t know.

Also, in comparison, while Korea was terribly Americanised and Christianised, they still retained that “wild” feel to the culture — it felt as though they are still looking for the perfect mix of traditional and Western culture, and on the edges, it was a bit rougher. I liked that. Being in Japan, despite the many differences to Europe (for example) was more like being in any Westernised country… But without the Christian overbearance. Hmm.

Career-wise, though… Korea (from one director/producer’s point of view, at least) boasted a more artist-friendly athmosphere for animation, and apparently they support a lot of different kind of artists and small studios — whereas in Japan, by comparison, the animation field has been optimised, standardised and conveyor-belt-ised.

I have no closing for this post, so consider this a harbringer of more navel-gazing blogging to come.




Heard it through the grapevine:

It Has Been Written:

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